The advantage here is that you are recording the kit in mono, so everything is reduced to the center of the stereo image. Pro Tip: Even without a polarity tester you can confirm the correct polarity of over and under mics by recording a snare hit and looking at the waveforms. Your email address will not be published. It’s one of the first things I do when setting up for drum tracking. This is a stylistic choice and introduces some new ways to personalize the sound of your snare. Fuston is now the Manager of Written Content for Sweetwater's web and print publications. If you’ve never had the opportunity to hear how mic positioning changes as little as an inch can make in the sound of a snare, here’s your chance. The two biggest factors in the snare sound are the most significant: (a) the player and (b) the snare drum itself. The opposite polarity will have less low end by comparison. My typical starting point is a dynamic mic positioned about 1.5 inches above the head, 2″ inside the outer rim of the drum, and aimed down at about 25 degrees from the horizontal plane of the head, pointing directly at the center of the head. Here are some samples of the same mic in different positions. Because the snare drum is located so close to the other drums, especially the hi-hats, a cardioid pattern mic is a must. Even if you use a disproportionate amount of the snare mic in the mix, the overheads will still tell your ears that something is amiss. This was first noticeable when sending the hot snare top signal through it and understanding how it embraced the low frequencies with ease and didn’t break up in the high-end. Placing a condenser microphone like the Mojave MA200 in front of your kit captures a narrow perspective of the drums in the room. Read More Applying Moongel to a snare drum reduces ringing overtones. As you move away from the center toward the rim, the sound of the drum will be more balanced between the head and snares. 5501 U.S. Hwy 30 W, Fort Wayne, IN 46818 4 – Tips: EQ and Compression for Snare Listen to your signal, then flip them out of phase and decipher which one sounds better. The feel, sound, and overall architecture of this preamp makes for a great snare choice, just like the microphone preamp that it’s modeled after — the API 312. Reprinted with permission. If you’re not in a big room, you can face the microphone capsules in the opposite direction of the drum set. Here are samples of how the over and under mics sound. Place them as close to any opposing wall as you can and set them to the cardioid pattern. Whichever position offers the most low end on the snare is the setting to use. Home recording tips – 9 mic placements for recording a snare drum. 2. Mic placement is often limited by the amount of room available in the spaces between the drums, but getting the mic in the right place is crucial. The more you let the snare breathe, the more dynamic its sound will become. Quality articles or reviews is the main too attract the viewers to visit the website, that’s what this web page is providing. Next flip the polarity of the under-snare mic so it is the opposite of the top mic. You’ll find many audio engineers using the Shure SM57 for snares, and it often comes down to mic placement at the snare that gives the snare different sound characters. Two snare mic tracks — Over (top waveform) and Under (bottom waveform) show how the waveforms move in opposite directions, Two SM57s — Combined Over with Under mic (Under mic pulled down 5dB). Types of microphones The 2011C Twin Diaphragm Cardioid Microphone is a perfect choice to close mic a snare drum. Six inches from the snare — let your snare breathe Instead of looking at the mic placement used on specific instruments, here are a number of guidelines that work in almost any situation. Listen to the ring of the fundamental and the overtones. For me it’s been a life long quest, so to speak, to deliver a great sounding drum mix. Special thanks to Sweetwater team members Evan Turner for playing the snare and Dave Martin for engineering this session. Learn More. There really is no turning back once you start adding room microphones to your drum sounds. 8. We like to go closer to 2.5 to 3 drumsticks above the snare, which, depending on what you read, may seem higher than others suggest. Store Hours, If you have any questions, please call us at (800) 222-4700. 5. If you’re in the studio with a player that swaps snare drums from song to song, then you may need to reposition the mic for each different drum or even swap the mic. This technique is especially useful when recording a drummer who is a hard hitter. For under the snare, you can choose either a bright mic or a balanced mic, just know that what you hear under the snare sounds like triggered white noise. The easiest way to check absolute polarity is to use the Cricket Polarity Tester, but the critical part for drums is to check the relative polarity of all the mics. Now is the perfect time to get the gear you want with simple, promotional financing. The Shure SM57, a popular choice when miking a snare drum, can be angled to achieve some hi-hat rejection. 1 – Best Mics for Recording Snare Drums Micing a snare drum requires balancing between tone, isolation, and the practicality of how drummers play. That center is where your snare occurs, so if you filter out the high and low end of this signal you essentially have a dedicated snare microphone 10 feet from the kit. For the way I like to record drums, a lot of the presence of the snare is in the overheads, and the snare mic itself provides the oomph, the presence, the body of the snare. Many factors affect the snare sound: proximity of the mic to the drum shell, the distance from the mic to the head, even the angle of incidence (whether the mic is pointing across the head or down at the head). Apply some compression and voila! The point is to capture the sound of the snare in the room with the rest of the kit. On its own it does not sound as appealing as you would first think, but once you add in the rest of your microphones you will begin to understand how the drum set takes shape. This will mess with the sound. If you are looking to get that initial attack of your snare drum, use this type of placement.

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