Place your order and make your first monthly payment today, and your gear will be in your hands in about two days. Mid range pres are fine these days, and the noise floor trade-off is worth the tone for most situations. I need one pair of mics that can do it all do it really well. A temporary customer reference number is assigned to each customer only while they are shopping on Recording in a room with low ceilings (8'). This site uses cookies to help personalise content, tailor your experience and to keep you logged in if you register. What’s more, it exhibits impressive SPL handling, enabling it to effortlessly tackle loud sources. Too many folks hear and not LISTEN. For a better experience, please enable JavaScript in your browser before proceeding. If I'm using a single overhead I use a Joly modified MXL V250. Little or no EQ and no compression. You'd be surprised at they can do. I need to purchase two more because I know that someday the two I have had for 20+ years are just going to die. Shure SM81 Microphone Pros See more product details on Amazon. Earthworks Mics vs. SM81 for Overhead drums . A studio and stage standard small-diapghram condenser, the Shure SM81's detailed, flat response will give you an accurate sonic picture of acoustic sources and more. Looking at getting a matched set of earthworks. Staff member. View Profile View Forum Posts View Articles Junior Member Join Date Feb 2006 Posts 98 Thanks 0 Thanked 0 Times in 0 Posts Rep Power 15. drum overheads... SM81 or AKG 451? They'll work, there's just a chance that you'll have more background hiss than you're used to if you're going into a budget preamp. Big open sound, and are a huge step up from NT5's IME (and 414 B-ULS for that matter). What's your actual budget and are you looking for 2 or 3 mics? Best Use: Drum Overheads, Hi Hats, Snare, Percussion, Cymbals. Extremely robust, it really can take the abuse which comes with life on the road, and even the occasional off target attack from an enthusiastic drummer's stick. You can use them as OH, vocal, guitr amp, (grand/upright) piano and much more. 19 of 20 people (95%) people found this review helpful. Split your cost over a number of months using your own payment card. Am I wrong about ribbon mics being more delicate? The SM81 is an industry standard for high hats. Take notes. What I did on my summer lockdown (new album), ***SOLD, SOLD, SOLD***Ludwig "The Chief" 6.5x14 Titanium Snare Drum NOS 2006 Titanium Supra Phonic LM402. I use a pair of Josephson c42's for overheads, and they sound great. For mics with an obtainable cost, I prefer the Beyerdynamic MC-930's over the Octava 0-12's. I want as close to what MY YMCA drums sound to ME recorded. Jan 29, 2020 #21 drummertom Moderator. Rode M5 on the snare. Use what you already have and spend LOTS and LOTS of time experimenting with their placement and LISTEN to the differences. If you have additional warranty questions, please contact the manufacturer at 800-25-SHURE, Submitted October 28, 2008 by a customer from Shure Small-Diaphragm Condenser Microphones. The Shure SM81 is a high-quality, unidirectional condenser microphone designed for studio recording, broadcasting, and sound reinforcement. They can still be bought 2nd hand and come with a shock mount. I have not considered any ribbon mics because I always thought they are more delicate. The sm81 has a very flat frequency response and this makes the mic useful for a lot of acoustic instruments. We're sorry, to ensure that your wish list is private and saved for future visits please log into your account. Whether used for acoustics, strings, pianos, or as drum overheads, the Shure SM81-LC has proven its worth time and again. method recomends large diaphragh mics like the SM27, and the SM81 is a bit … Its wide frequency response, low noise characteristics, and low RF susceptibility have made it a standard for applications involving acoustic instruments, especially guitar, piano, and cymbals. I have great dynamic control in my drumming. it's kinda like your favorite pizza. The friggin cables! Mon, Tue, Wed, Fri 7:30AM - 11:30PM (EST). Thread Tools. ok, I am old.. what happened to SM 57's? For my two overheads the Audix ADX-51 and a pair of the Rode NT-1 for room mics fit perfectly for what I want recorded in MY living room. Regardless, the LAST thing you wanna go cheap is on the Achilles heel of audio. These would be purchased mainly for drum overheads so flexibility isn't an issue. So don't put them in a kick port. All get wired to a Soundcraft MXFi-16 mixer tied to a Tascam SD-20M recorder. Moderator. Not really cheaper but the Beyerdynamic MC-930 are my go to overhead. If I'm using … Recording loud drums so I'm leaning on the earthworks which have a SPL of 145db Currently I'm using SM81's and wanted to know if anyone has any comparison to the earthworks. If you call our customer service department for assistance, this number makes it easier Thread starter shiek_yerbouti; Start date Jan 28, 2020; Prev. You can also use it for hi hats, percussion, and even snare. The 0-12's do grab more of the ambient room which can be desirable too. I record in MY living room. I love the older KSM127 mics. JavaScript is disabled. Did you? A Rode M5 on the hi-hats from below with an Audix ADX-51 on top. (Almost all) Ribbons are figure 8. Rode M5 on the snare. I'm digressing toward more recording based and more expensive than The Shure. Microphone PLACEMENT is key. First Prev 2 of 3 Go to page. I haven't gigged anywhere big enough that I've needed an overhead live in quite a while, but for recording I use a pair of Cascade Fathead II (with the Lundahl transformers, totally worth it) and I LOVE the sound. A 3-position highpass filter switch and lockable -10dB pad round out the SM81’s robust features. That'll save you a ton of money. I have played with many other fine microphones, but none are a substitute. With that in mind you can use your creativity to either focus what your recording or depending on proximity capture an area of sound. From RadioShack to Royers.

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