Its class A, discrete, transformerless preamplifier provides extremely transparent sound capture, and a three position switchable pad and low-cut filter allows for handling of extremely high sound pressure levels (SPL) and controlled bass response. Visit www.shure.com for more mounting options: A three-position switch on the back of the microphone lets you adjust the low-frequency response. You must use a balanced microphone cable: XLR-to-XLR or XLR-to-TRS. The KSM137 is a premium, end-address, condenser microphone with a cardioid polar pattern engineered for highly critical studio recording and live sound productions. In 2013 we opened our brand new bricks and mortar store – the largest purpose-built musical instrument store in Australia. The KSM137 is an end-address condenser microphone with a single cardioid polar pattern. Shure KSM137 vs Sm81. In a pro setting it'll be more limited, but is still a solid mic. Of course it's got the Shure name attached with it so you can rely on their reputation when you think about longevity and stability, which has been the trademark of Shure for many years. Its low self-noise and extended frequency response … This attribute was nice for mono acoustic guitar, and great for OH and HH, but not so good for stereo pair recording. The attenuation switch lets you reduce the signal level without altering the frequency response. The Shure KSM137 is an end-address condenser microphone with a cardioid polar pattern. Maximum SPL capability, output clipping level, and dynamic range vary with the input load impedance of the preamplifier to which you connect the microphone. However, it will operate with slightly decreased headroom and sensitivity with supplies as low as 11 Vdc. In Asia, call 852-2893-4290. The Shure KSM137 is an end-address condenser microphone with a cardioid polar pattern. Over 90 years of audio experience has contributed to making this one of the finest microphones available. This can prevent extremely loud sounds from overloading the microphone circuitry. DuPont de Nemours and Company in the United States. Get the best deals, sales and offers from the best online MUSIC store in AUSTRALIA! The KSM137 is an end-address condenser microphone with a single cardioid polar pattern. Carrying Case for two KSM137 or KSM141 microphones and A27M stereo bar, Microphone Clip for AMS26, Beta 181, KSM137, KSM141, MX412, MX418, MX412S, MX418S, MX412SE, MX418SE, SM62, SM63, SM63L, SM63LB, SM81, VP64, VP64A, VP64AL and standard microphone stands, Isolation Mount/Swivel Adapter for KSM109, KSM137, KSM141, SM63, SM81, SM94 and VP64. Stringed instruments get one-of-a-kind sound out of careful craft. This is a newer Shure mic, but I only used it for the first time recently. [4]All specifications measured with a 48 Vdc phantom power supply. Versatile, durable, and precise, the KSM137 is an outstanding microphone for instruments ranging from percussion to wind, strings to brass, and piano to guitar. To achieve the best overall sound for a particular application, it may be necessary to experiment with microphone placement and room treatments. Share Quote. Use the low-frequency filter to reduce wind noise, room noise, or proximity effect. The microphone operates at lower voltages, but with slightly decreased headroom and sensitivity. The KSM137 is an end-address condenser microphone with a single cardioid polar pattern. I like that they are rugged, and to my ears a big improvement over the 81. Estimate the delivery time after dispatch. The CE Declaration of Conformity can be obtained from: www.shure.com/europe/compliance, Headquarters Europe, Middle East & Africa. Shure recommends a minimum input load impedance of 1000 Ω. Its low self-noise and extended frequency response make it ideal for recording musical instruments. With Shure microphones that treat every perfect note with classical precision. A highly consistent cardioid polar pattern, Ultra-thin, 2.5 μm 24-karat gold-layered, low-mass Mylar, Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and inter-modulation distortion, Premium electronic components, including gold-plated internal and external connectors, Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration, Three-position attenuation switch (0 dB, 15 dB, and 25 dB) for handling extremely high SPLs, Three-position low-frequency filter switch reduces stand vibration noise and counteracts proximity effect, Superior common-mode rejection and suppression of radio frequency interference (RFI), Overhead miking of drums and percussion instruments, Close-miking of acoustic instruments such as piano, guitar, violins, drums, and percussion, Low-frequency instruments such as double bass and kick drum. Smooth low end and mids, with a just right presence that is NEVER harsh, glaring, distorted or brittle, yet airy and so pleasing. Also, I noticed the KSM137 & KSM141 are sold in matched pairs, but I can't find anyone selling the SM81 as a matched pair. In addition to the standard accessories, the stereo pair includes a stereo stand adapter (A27M) for mounting two microphones on one stand. The sm81 is one of my all time favorites. All rights reserved. Designed for studio use, yet rugged enough for live applications, the KSM137 mic can withstand extremely high sound pressure levels. While other mics in this price bracket have smeared transients and annoying resonances, the KSM137 is crystal clear, fast and resonant free! The Shure KSM137 is a small diaphragm condenser that is made for using in a recording studio setting. “Mylar” is a registered trademark of E.I. Designed for studio use, yet rugged enough for live applications, the KSM137 can withstand extremely high sound pressure levels (SPL). The following table displays the most common stereo techniques. Thank you for selecting the KSM series from Shure. JavaScript seems to be disabled in your browser. This product meets the Essential Requirements of all relevant European directives and is eligible for CE marking. Versatile, durable, and precise, the KSM137 is an outstanding microphone for both live and studio applications. This microphone requires phantom power and performs best with a 48 Vdc supply (IEC-61938). Our web address is www.shure.com. Use the 45 degree reference marks at the top of the knob to set the desired angle. Designed for studio use, yet rugged enough for live applications, the KSM137 can withstand extremely high sound pressure levels (SPL). In a pro setting it'll be more limited, but is still a solid mic. First opened over 40 years ago, Better Music is an Australian owned and operated independent music store located in Canberra, ACT. For more information, search “Stereo Techniques” at www.shure.com (www.shure.com/stereo-tech). Most modern mixers provide phantom power. Its low self-noise and extended frequency response make it ideal for recording acoustic guitar, drum overheads, and hi-hats. If you have any questions not answered in this guide, please contact Shure Applications Engineering at 847-600-8440, Monday through Friday, from 8:00 am to 4:30 pm, CST. Trying to make up my mind. Finely crafted sound reproduction. You must have JavaScript enabled in your browser to utilize the functionality of this website. Stereo microphone techniques give depth and spatial placement to sound sources for broadcasting, recording, or sound reinforcement applications. Flat, –6 dB/octave below 115 Hz, or –18 dB/octave below 80 Hz, Three-pin professional audio (XLR), male, balanced, Positive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3, 11–52 V DC[4] phantom power (IEC-61938) 4.7 mA, maximum, [2]THD of microphone preamplifier when applied input signal level is equivalent to cartridge output at specified SPL, [3]S/N ratio is the difference between 94 dB SPL and equivalent SPL of self noise, A-weighted. Mount on a stand and attach microphones using 5/8"-27 thread stand adapters. This microphone can be purchased as a stereo pair (KSM137/SL STEREO). Keep in mind that microphone technique is largely a matter of personal taste; there is no one “correct” microphone position. It's a cardioid microphone and has a 20 Hz to 20 kHz frequency response, which is of course the full range of human hearing. I plan on getting a matched pair of SDC mics for stero recording on mainly acoustics. Most modern microphone preamplifiers meet this requirement. Designed for studio use, yet rugged enough for live applications, the KSM137 can withstand extremely high sound pressure levels (SPL). How is the SKM compared to the sm81. Frost 1. To reduce the pickup of unwanted low-frequency mechanical vibrations, use an isolating shock mount.

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