The 835s (and their big brothers the 845) are a lot smoother sound which I prefer. as always it’s about feedback For hand drums, you could use either dynamic or condenser microphones. } On the other hand, Behringer C2’s mics are more of minimalized version of regular mics. I haven’t come across many uses for them with all of the better options I have in the studio but for testing, they sounded quite good on an acoustic guitar. I play fusion fingerstyle, I play with a acoustic band. I haven’t used it myself, but it has received some pretty good reviews. Now live, I am so happy I have them, as I can use them as drum overheads for metal bands and if they get beat up, oh well. For the benefit of those people who have handled neither of these microphones, the C-2 is cast of thick solid metal. hello . It picks up sounds equally from any angle. The hum may not be very apparent in live performances, such as in a choir, but is noticeable in a quiet, controlled recording. eso es verdad? No experience with the Behringer B-5 ... however I purchased two pairs of Samson C02 which seem to be a similar mic, and a notch above the C-2's. Interesting dialogue here. I would guess that they’re better performers than the C4s. but as you can see that Behringer Ultragain Mic200 have 2 Input, 1 XLR jack and 1 ordinary plug 1/4 jack. background: -ms-linear-gradient(top, #660000 0%,#8F0000 100%); There are also inexpensive drum mic sets which usually include a bass drum mic, 2 condenser mics for cymbals/overheads, and 2+ dynamic drum mics. I don’t know, because I’ve never used a Samson C02. in my country Pity about the C4’s build quality, but, like you said, the extra sensitivity might make up for it. I sent the Behringers back for a refund and will probably put the money toward another Oktava to form a pair. Behringer C2 picks up sounds only from the front side while rejecting the rear. I have to say that they weren’t really up to the task. The C4 are terrible, so avoid those. anyway if I buy Behringer C2 is that okay if I use single mic and connect to my Behringer Ultragain Mic200 ? Change ), The C-4 is 3 dB more sensitive than the C-2, at the expense of having a 4 dB lower maximum sound pressure level, Exposing the Kubernetes Dashboard with an Ingress, Building a hyperconverged Kubernetes cluster with MicroK8s and Ceph, Service availability monitoring with Nagios and BPI, anecdotal reports that the C-4 has lower self-noise than the C-2, http://www.jonathangazeley.com/2013/02/ortf-microphone-technique/, http://www.shure.co.uk/support_download/educational_content/microphones-basics/acoustic_string_instruments, https://service.shure.com/s/article/how-do-i-mic-a-choir?language=en_US, The C-4 is slightly fatter at its fat end (it’s not straight-sided like the C-2), The C-4 is significantly lighter, at just two-thirds of the weight of the C-2. I never got as far as trying them with an orchestra. Compare Studio Projects C4 vs Rode M5 vs Behringer C-2 vs Samson C02 Press ‎ ↵ Enter ‎ for Accessibility for blind people who use screen readers Press ‎ ↵ Enter ‎ for Keyboard Navigation These are also inexpensive mics -- I got two for $80 used. but there’re little thing It reminds me of holding something heavy like a spanner. The omni has real bottom end, and an effortless and natural feel that just isn’t possible with all the in-capsule freakery that’s necessary to achieve a directional response (fig-8 ribbons excluded of course). I use them in the percussion section and they do just fine there. Yes! } I have fallen in love with condensors, and am considering a pair of C2 or C4s. Either a pair of Behringer B-5 or something like Sontronics STC-1, Rode M5, etc. to make 1 line chanel output to the mixer. background: none repeat scroll 0 0 #FDFDFD; so can I use those input in the same time for streo microphone system? I would be using it to record clarinet practice with from 1 to 4 clarinet players. but I am really curious how is it sound with my guitar. Good to know, thanks. color: #EEEEEE; l am considering c2, c4 or B5 for choir performances in the church. I think you’ll be pleased with either the C-2s or C-4s for orchestral work. table#t28 tbody tr:hover td { and I am still using piezzo system on that video. They get good reviews though. Whatever the name, I recommend them on a budget. I tacked the c2 pair on to an order (about 3000 dollars worth of high end mics and various other equipment) because why not and am blown away by the c2 for the money. The specifications are also similar, but not identical. Jonathan, thanks for the amazing review! But the real test of these microphones will be in a recording. It’s opened up quite a field of further investigation into mic techniques. It’s probably too late for me to return the C-4s now but I will probably sell them on and buy another set of C-2s because they have never let me down and have a great natural sound to them. I’m happy using the XM8500s on speaker cabs for electric or bass guitars and sometimes use them for cajons but always prefer a C2 for djembe. This can be alleviate however by switching on the low-frequency roll-off. I haven’t got a bad thing to say about the C-2s so I’m happy to recommend them to people. Condensers really excel at detailed high sound like cymbals or acoustic guitar and dynamics are more durable. $('.ptp-cta').matchHeight(false); Yes it is fine to use a single microphone for guitar, connected to your Ultragain Mic200. table#t28 thead tr th#t28.start { Thanks! border-top: medium none;border-bottom: 1px solid #CCCCCC;border-left: 1px solid #CCCCCC;

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