If you don’t care, and would rather just skip to the stuff about how the mic sounded, click here:)]Yes, Gretsch 24 x 16 1980's maple....super punchy..big w/ just the right amount of attack. It uses Electro-Voice’s patented Variable D design to control the microphone’s proximity effect. So many options. Besides kick drum, I've used it on guitar amps, bass amps, horn sections, and even on vocals from time to time, all with very pleasing results. Just a friendly reminder that political discussion, (including "offhand" and 'sideways' commenting) is. The RE20 is an industry-standard large-diaphragm dynamic microphone, used worldwide on applications ranging from broadcast/VO to kick drum. A true cardioid microphone, the RE20 offers greatest rejection at 180° off axis — directly to the rear of the microphone. Here comes the inevitable "It all depends." The U47fet became one of my favorite voice-over mics as well, much smoother and fuller than the U-87. D112 is kinda a one trick pony, at least for me. It was a glorious sound. I think My favorite is the Beyer M88 but getting this guy in the, Even though it is not in production the best kick drum mic is the Neuman U47FET. I got my studio start at a firm that specialized in radio jingles and in the room where the vocals were cut were a pair of U47fet microphones. Kick drum of course. Tone shaping distortion plugins like the decapitator or head crusher are good for fixing this, but I prefer to get the right sound on the way in. Electro-Voice RE20. Just like the D112 the re20 can use a little eq to get more or less of what one needs. [Ken explains – in probably a few more paragraphs than necessary – the answer to the above question. I actually think the M88 is a bit clearer sounding and less directional than the re20. RE20/27 needs no EQ. For pop/rock/what have you, it just does not have the bite or punch to cut through a mix without heavy processing. It uses Electro-Voice’s patented Variable D design to control the microphone’s proximity effect. I use an RE20 inside and put the 147 outside and blend.........I like it. Hey there! I find that when I use the RE20, I can eq the Kick a little to bring out some attack but the bass guitar sits with the kick drum without much eq tweaking to the Bass guitar track(s). The OP has it nailed. I tried this position with the RE20 and it sounded terrible. thumbsup. I've shot about everything out for inside kick and the RE20 is the clear winner. And of course there is a huge amount of bad suckin kick drums around. Fitting bass guitar tracks together with kick drums recorded with D112, Beta52, e602, D6 always requires some extreme eqing of the Bass guitar. The re20 is an incredibly accurate and soft spoken kick drum mic that is absolutely perfect when you're going for that "pillow hitting a lampshade" sound. A switch on the mic body provides a high-pass filter, aka a “bass tilt-down switch,” which drops the low-frequency response by approximately 2.25dB/octave below 400Hz. If the RE20 doesn't sound good, bring in someone who knows how to tune a drum. D12 is a fine microphone outside the kick for extra low end capture. Combine that with a mic that you like for inside kick, from what you mentioned RE20 would do just fine, and you'll have a nice picture of the … Unlike the newer broadcast dynamics, the RE27N/D and RE320, the RE20 does use an output transformer. and I would never question the greatness of the tool known as the RE20. U47FET maybe as FOK, but not often. The mic is also excellent for kick drum or acoustic guitar recording. E The RE27 may do better for you on kick drums and bass cabs, but less so on vocals. I actually think the M88 is a bit clearer sounding and less directional than the re20. the only standard mic I don't like on kick is audix d6. Love the RE-20 and made many records I loved with them, but once I got a Shure Beta52 I rarely find myself using anything else. Just not inside the kick drum (at least in my experience). An example of where the style of the music fits perfect with the RE20: I found that my Neumann M147 is very cool on kick. I cringe every time I read that someone is using a U-47fet on kick! Another vote for the 868. E the 320 is voiced and has a filter to accomodate modern kick drum sounds. the m88 is a bit more versatile in my opinion, gets used on guitar, toms once in a while, snare, vocals it sorta like a bigger soudning SM57 or M201. The other large … I think many would argue that there are several mics that generally work better than the RE20, but with everything, it does depend on what YOU want to hear. One of our most popular mic setups for drums was a single RE20 overhead, another RE20 on kick and an SM-57 on the snare. Did we get anything wrong on this page? The re20 is an incredibly accurate and soft spoken kick drum mic that is absolutely perfect when you're going for that "pillow hitting a lampshade" sound. I use the RE20 more though but usually on very specific things like..kick and bass cab. Pattern control is so consistent that the frequency response is nearly independent of angular location of the sound source, creating virtually no off-axis coloration, yet providing greatest possible rejection of unwanted sounds. Lately we have been sticking an RE20 in front of the hole of the … Please let us know! For pop/rock/what have you, it just does not have the bite or punch to cut through a mix without heavy processing. I use the Shure Beta52 all the time and place it 5" from the front head for a even balance of 'slap' and well rounded low end. Between the two of us we've got just about all of the "usual suspects" when it comes to kick drum mics. I killed an RE20 with a kick drum once. Joined: Feb 23, 2005 Location: jacksonville,fl. The D12 versus RE20 sound can be described thus: Poof versus Kunk. Re20 and D6 just were not my cup of tea although they can work. Call me crazy, it's entirely … Been using that one for a while. Electro-Voice RE20 Cardioid Dynamic Microphone. Here is my review of the EV RE20 mic. Placeed 1/2 way in the shell, aimed up at the beater point, you almost immediately have a final kick drum sound with a touch of 1176 or 2500 compression. the m88 is a bit more versatile in my opinion, gets used on guitar, toms once in a while, snare, vocals it sorta like a bigger soudning SM57 or M201. Pictures Of Mic'ed Up Drum Kits In The Studio, AKG d112 or Shure beta 52a for live kick drum. I cringe every time I read that someone is using a U-47fet on kick! For those of you who uses the RE20 or RE27 on kick drum, what distance from the front head to you position it? i DO like a d112 on kick - i tend to roll off the top and let the room mics (R84s) provide most of the attack......for me the RE20 is just a little lean (nice 70s FM pop kinda sound but not what i am usually after) and certainly to my ears a 421 on kick is just a bit of a pussy!......i keep things very simple though: only one mic outside kick - tune it to perfection and then processing can be kept to a minimum......but that's just me. If you have a great analog EQ (Harrison EQ32) and want a bass drum mic that is tight and focused in the bottom end and will give you the chance to sculpt what you want the bass drum to sound like, I don't think there is anything better currently made. Usually end up placing it so that the point where the grill of the mic meets the body is at the plane of the drum head. Cardioid I love using an ATM25 inside and a Beta 52 in the hole.

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