Published twice a year (deadlines April 15 and November 15); also accepts tanka sequences and tan-renga. The journal features four of my haiku, including: empty sky – For ‘alternative’ haibun. Managing editor Jim Kacian thinks it’s the largest set yet nominated which he takes as being the editors doing their jobs well and that more and more haiku of good quality are being written (and published). It was a fun class and helped that Vanessa Proctor was a group member as she also has renku experience and can speak Japanese (so we got the pronunciation of the terms right). In fact, it seems that only 11 haiku are by non-Japanese. Submit: Full details from the website. Submit: Full details from the website. So it was a bit of a surprise that when I enquired about the best way to pay my registration fee for Haiku North America I was told to get a bank cheque and post it! At 8.15am on August 6, 1945 an atomic bomb was detonated 600m above the ground in Hiroshima and the person simply vanished, leaving only a ‘shadow’ on the stone steps – the steps are now on display in the Peace Memorial Museum. It is also available from them online. I decided to get proactive about letting the paper know about his success – first in the secondary section and overall winner of the Junior Haiku Contest run by the NZ Poetry Society – mostly because it’s the last year he qualifies for the junior award. Published online three times a year for “writing that explodes”. World Haiku Review: Ardea: The book is being launched on November 3 in Wellington but this year, for the first time in several years, I won’t be able to attend (launch details and ordering information here). Contemporary Haibun Online: The. Includes haibun and haiga. Includes haibun. April 17: “Breath is a triumph from every aspect: The size, the cover design, paper quality, font, spacing of haiku, grouping. As you’ll know from an earlier entry below, editor Owen Bullock chose another six of my haiku beyond the two that won commendations. Members only, but free to join. Submit: Haiku for the season to David McMurray. It’s planned that both imachi will appear in the March issue of A Hundred Gourds. I investigated the price of airfares ages ago, and again more recently. Nov 1: Ruth Arnison has emailed about Sunday’s opening of the When North Meets South exhibition in Dunedin – after reading it through twice I have caught her excitement! Permission granted! Moonbathing: Submit: For full details see the website. Apart from my launch party, the most sold in a single day. Published twice a year online. Gusts: Never Ending Story: He won his first contest when he was five years old! I think in so many years behind me I never received a book with so many wonderful haiku. What’s being offered on the site in New Zealand dollars is about the price I paid for it at HNA, so good value for a hard-back book. Sophia Frentz is co-presenting the Science one with me but we have yet to meld our two sets of commentary. So, here I am, back in the old version of editor because this “unimproved” version does actually save a draft to WordPress. Donna Ryalls of Simply Flowers chose one of my haiku to work with: kneeling to tie my shoelace – moss flowers. Published twice a year in print. Nov 27: The imachi-form renku I’ve been involved with at Issa’s Snail has been finished. Find out how to subscribe, and submit, to Kokako. Send 50-100 haiku at a time. We were in the Peace Park in Hiroshima when our guide Nobu asked if anyone would like to ring the Peace Bell. wind swords. Mayfly: (Our first rain since February 5, which wasn’t much). NZ: Margaret Beverland, Elaine Riddell (whose poem comes from the When North Meets South exhibition), myself and Andre Surridge have haiku included and Nola Borrell and Owen Bullock have haibun. The judge was David McMurray, who edits a regular haiku column for the Asahai Haikuist Network and who quotes some of the winning haiku, including mine, in this article. Oh, and I’ve had two haiku accepted for Modern Haiku and one for A Hundred Gourds! Living Haiku Anthology: Never mind, plenty of others coming up and I suppose I’m getting used to the fact that many contests now allow email entries and payment (if any) online. Hedgerow: Submission and subscription details here. This book, edited by Jim Kacian, Philip Rowland and Allan Burns, will be officially launched at next month’s Haiku North America in Long Beach, California with pre-ordering from Amazon. Members only. Maybe these late-season hatchlings will be the butterflies that overwinter and start the life cycle process again in the spring. A free email journal published 5 times a year, and includes haiku, senryu and tanka. Presence: Notwithstanding the fact that I look like I’m in a dungeon and I wave my hands round constantly, I think it’s a fair summation of my thoughts on haiku. ), thrumming rain Kokako’s submissions close on July 1. It’s a beautiful collection, beautifully assembled” – Billie Wilson, haiku poet (US), January 12: “I enjoyed re-reading already admired haiku and meeting new haiku. Published twice a year, includes haiku and artworks. Submit: Full details from the website. All contributions must include full citations including venue, date and URL. A large jar of blooms was just inside the front door of our palatial room in Bali last year, a magnificent scent in the evening. Sophia and I have also been invited to read in a session presenting linked verses, standing in for poets who can’t be present. July 7: Ron Moss has been in touch to ask permission to use a haiga he created for one of my haiku in A Hundred Gourds during his presentation on haiga at Haiku North America. I have been invited to write a short piece for the next issue of Presence journal (UK) about how I came to haiku, and a report on the Haiku Festival Aotearoa for the December issue of A Hundred Gourds. Submit: Full details from the website. Kingfisher: originally published in paper wasp. Submit: Send up to 8 poems to editor Frazer Henderson. See the journal here (submission details at the end). Published three times a year online. I’ve always found The Book Depository to be easy to deal with, even half a world away. Shamrock: Kokako is New Zealand’s only journal dedicated to haiku and other related forms – it is published twice a year. If you’re in the area, here are the details of the exhibition: And you can read all about the project here. Publishing them together will give a good insight into how a renku develops a life of its own that flows directly from the group of people writing it. Now all we have to do is finish writing it …. Published irregulary throughout the year, seems to be circulated to an email list. from my address book. A new haiku appears on the Pulse home page every other week. In part she writes: “I so wish you could all be down in Dunedin right now. all tall men – Lucky I’ve got a bit stack of unpublished poems/work at draft stage that I can flick through. Accepts submissions from non-members, includes haiku, senryu and renku. Ant Ant Ant Ant Ant Ant Two: Wa-hoo, as Ms Frizzle would say. Submit: Full details from the website. January 9: “There are a number [of haiku] in breath that are favourite haiku for me: just absolutely delightful poems … Of course I expected the general standard to be high – and it was – but I didn’t expect a handful of favourites” – John O’Connor, haiku poet (NZ). at people you don’t like He is best remembered for “splitting the atom” in 1917, although had already won a Nobel Prize for chemistry in 1908. Submit: Full details from the website. An arm and a leg only begins to describe it so I have asked my daughter to go and take photos.
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