I'd never even seen one before or since. For the kick drum microphone, the Sennheiser E602 II is an excellent choice. Johns helped nail Jimmy Page's 12-string sound on Stairway To Heaven "We tracked it with drums and acoustic guitar and John Paul was playing an upright Hohner piano. To measure the distance accurately, you can use a guitar cable – get someone to hold one end of the cable in the centre of the top head on the snare drum. Shares In this case, my Sonor SQ2 kit with Zildjian Constantinople cymbals. For the close mic on the snare, a Shure SM57 is a tried and true microphone that’s been used for decades for recording snare drums. Because you’re relying on the overheads for a lot of the sound, it’s much harder to fix up the sound of poorly tuned toms or snare in the mixing stage. In fact, Glyn Johns has written a fascinating book called ‘Sound Man’ on his life and experiences working with many of these Rock ‘n Roll greats during the epic 1960’s. Who Is Glyn Johns? For this blog entry I‘ve decided to try out the Glyn Johns method of recording a drum kit. Another key ingredient you need for this technique is a well-tuned drum kit. Glyn Johns Glyn Johns is one of the UK’s most respected producers and engineers. You can also try the Shure Beta57a, which has a different polar pattern (supercardioid vs cardiod), brighter high frequency response and a fuller low-end response. The first overhead mic is placed directly above the snare drum  – the exact position that sounds best will vary for each drumkit, depending on the height of the snare and the position of cymbals. Well – there you have it. Try and place this side microphone in a position where the edge of a cymbal can’t point directly at the mic. There are several interpretations of it, however the principal remains the same. To get the phasing correct, the side mic needs to be exactly the same distance from the centre of the snare drum as the top mic. For the ‘overhead’ mics in this setup, I recommend a large diaphragm condenser microphone like the Rode NT1000, or if your budget stretches a bit further the Rode NT2000 is an excellent choice. Firstly, you want a room that sounds good. Amazon and the Amazon logo are trademarks of Amazon.com, Inc. or its affiliates. You will want to play around with the panning of this mic to create a little bit of stereo separation – I recommend panning about 10-20% to the right. I’ve started writing down a few of my thoughts about audio equipment and recording equipment, partly for my own enjoyment, but also in the hope that some of the things I’m learning will help other people too! View our Privacy Policy. I’m passionate about creating, producing and recording music! Usually, this technique is best in a larger room with a high ceiling – at least 12 feet, so you don’t get too much slapback from the ceiling. Glyn Johns started his recording career at IBC studios in the UK, where he worked as a tape operator on some sessions for The Beatles. So, welcome to Audioproductionroom.com Grab a comfortable chair and a coffee, take a look around and I hope you get as much enjoyment and value from these resources as I’ve have had creating them! Born just outside London in 1942, Glyn Johns was sixteen years old at the dawn of rock and roll. About Sound Man. He really made a name for himself in the annuls of recording legend with his monstrous John Bonham drum sounds on all those Zeppelin records. The NT2000 also has a higher maximum sound pressure level (SPL) at 147db, compared to 140db on the NT1000.). Starting his career Today I want to discuss another popular technique, made famous by Glyn Johns who used this technique to record John Bonham and his massive drum sounds on Led Zeppelin recordings. As an Amazon Associate I earn from qualifying purchases. It’s called the Glyn Johns method, and it's a favorite of recording engineers everywhere trying to get professional results on a tight budget. We appreciate it when you click through and purchase on Amazon as this generates some income for us to help maintain the site and keep creating more useful reviews and guides. I've picked up some guitar and piano too - so I consider myself to have a well-rounded musical skillset. It’s called the Glyn Johns method, and it's a favorite of recording engineers everywhere trying to get professional results on a tight budget. during the late 1960s and 1970s. I've had the privilege of touring and recording internationally as a drummer and I've picked up a few tricks along the way about writing, producing, recording and mixing music. Let’s... Hi I’m Tim. You’ll also want to watch out for the height of the cymbals with this technique. (Johns, pictured on left) The Glyn Johns technique was named after its inventor who recorded albums for Led Zeppelin, The Who, Joan Armatrading and Band Of Horses to name… This mic will be panned to the middle of the mix (ie at 0). If the cymbals are placed too low (particularly a ride or crash near the side mic) then you’ll get unnatural dips in the sound of the cymbal, as it swings and the edge of the cymbal points directly at the microphone. The close mics on the kick and snare allow you to have more control over these elements to give them the energy and cut through they need in the mix. Audioproductionroom.com is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to amazon.com. For me, minimalist drum micing gives an incredibly honest sound. One recommendation is exactly 40 inches above the center of the top snare head. The Glyn Johns method is a simple, fast and reliable way to achieve an open, live and realistic drum sound using a small amount of recording equipment. You can use a little bit of oil on hi-hat stands and kick pedals if they are squeaking. The unique positioning of the overhead mics is what makes this technique interesting and effective. Introduction One of the most challenging aspects of home recording is having to record your drums in a small, often untreated room. In fact, Glyn Johns has written a fascinating book called ‘Sound Man’ on his life and experiences working with many of these Rock ‘n Roll greats during the epic 1960’s. It’s not necessary to know all the audio science of why this works, but it’s damn good information to have in your back pocket so you can request it at your next session. He went on to produce, record and/or mix many iconic rock albums for famous artists including The Who, Eagles, The Rolling Stones, The Beatles, Eric Clapton and of course Led Zeppelin. There are a few things that you’ll need to make the most of this technique. I used two Shure KSM32 condenser mics to capture the sound of the whole drum kit. There are a few things that you’ll need to make the most of this technique. Loop the cable over the top mic and run it to the side mic and adjust the position of the side mic until the distance is the same. To my parent's dismay, I was fixated on learning the drums and that has been my passion now for over 3 decades! For a four piece drum kit (kick, snare, rack tom, floor tom), this mic setup enables you to capture the whole kit pretty effectively with a good balance of the toms and cymbals coming through in the ‘overhead’ mics.

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