Apollo of the Belvedere ist eine berühmte Marmor-Skulptur aus der klassischen Antiquity. The hotel was named Belvedere because the name means “beautiful view” in Italian. Now it is completely forgotten except by the guides of coach parties, who have become the only surviving transmitters of traditional culture.". Réveil, Etienne Achille and Jean Duchesne (1828), Deborah Brown, "The Apollo Belvedere and the Garden of Giuliano della Rovere at SS. His quiver is suspended across his left shoulder.  Nevertheless, the work retained much popular appeal and casts of it were abundant in European and American public places (especially schools) throughout the 19th century. 08.30 a.m. – 06.30 p.m. (final entry 04.30 p.m.) It was Napoleon's greatest boast to have looted it from the Vatican. The work has been dated to mid-way through the 2nd century A.D. and is considered to be a copy of an original bronze statue of 330-320 B.C. This statue was part of the collection which Cardinal Giuliano della Rovere held in his palace in Rome. The Hotel Belvedere was built in 1905 by Joseph Gianini who was born in Switzerland in 1852. This page was last edited on 8 October 2020, at 04:15. From the mid-18th century it was considered the greatest ancient sculpture by ardent neoclassicists, and for centuries it epitomized the ideals of aesthetic perfection for Europeans and westernized parts of the world. Alternatively, it may be the slaying of the giant Tityos, who threatened his mother Leto, or the episode of the Niobids. Goethe, Schiller and Byron all endorsed it. His hair, lightly curled, flows in ringlets down his neck and rises gracefully to the summit of his head, which is encircled with the strophium, a band symbolic of gods and kings. The Apollo is now thought to be an original Roman re-creation of Hadrianic date (ca. Apollo Belvedere Statue aus griechischem römischen Gott der Musik, nackt, männlich, gegossener Marmor *Made in Griechenland - HANDMADE * Maße (ca. When he was elected Pope as Julius II (1503-1513) the statues was transferred to the Vatican, where it has remained since at least 1508. The hotel, which was built into a hillside, did have a beautiful view of both the adjacent Kiski River as well as the city of Apollo. The statue has always been greatly admired, but owes its fame particularly to Johann Joachim Winckelmann who considered it the sublime expression of Greek art, "of all the works of antiquity that have escaped destruction, the statue of Apollo represents the highest ideal of art". The Apollo Belvedere or Apollo of the Belvedere is a marble statue representing the Greek god Apollo, which is part of the collection of the Pio-Clementino Museum, one of the Vatican Museums. It is now in the Cortile del Belvedere of the Pio-Clementine Museum of the Vatican Museums complex. Before its installation in the Cortile delle Statue of the Belvedere palace in the Vatican, the Apollo—which seems to have been discovered in 1489 in the present territory of Anzio (at that time territory of Nettuno), or perhaps at Grottaferrata where Giuliano della Rovere was abbot in commendam—apparently received very little notice from artists. In the 1530s it was engraved by Marcantonio Raimondi, whose printed image transmitted the famous pose throughout Europe. Once it was installed in the Cortile, however, it immediately became famous in artistic circles and a demand for copies of it arose. He is entirely nude except for his sandals and a robe (chlamys) clasped at his right shoulder, turned up on his left arm, and thrown back. Albrecht Dürer reversed the Apollo's pose for his Adam in a 1504 engraving of Adam and Eve, suggesting that he saw it in Rome. The god, Apollo, moves forward majestically and seems to have just released an arrow from the bow which he originally carried in his left hand.  Though it has always been known to have belonged to Giuliano della Rovere before he became pope, as Julius II, its placement has been confused until as recently as 1986: Cardinal della Rovere, who held the titulus of San Pietro in Vincoli, stayed away from Rome for the decade during Alexander VI's papacy (1494–1503); in the interim, the Apollo stood in his garden at SS.
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